Pure Expression
“There was a musician playing a piece of music to a man. When the musician had stopped playing the listener said: "That was really beautiful. What was it about?" Instead of answering him the musician played the piece again.” – Zen Story
Perhaps music is one of the few ways of communicating, without the mediation of symbols, we have left. Just think about the advanced melodies of the birds, the melancholic howls of wolfs and the out worldly whale songs. As a free improvising musician one could be so lucky to come even close to such a pure expression, completely free of intellectualization and ego.
After years of actively being involved in the work of a non-practicing, non-disciplined and non-thinking approach towards music and improvising, I can honestly say that I have experienced moments of such pure expression. I can claim that because there are moments, when I have performed, that I have virtually no memories of. I have seen myself on video and heard myself on recordings playing stuff that I can’t remember.
Some of us spend our whole life searching for a method of shutting down the chatter-box in our heads, and when we find something, we stick to it. Sadly enough it has only given us a temporary relief from the suffering of our everyday modern life. Thor Heyerdahl’s wife, in his book Fatuhiva – Back to nature, describes how she didn’t feel any need to listen to music while she was in the jungle, simply because she was surrounded by the “music” of the jungle all the time.
Defenders of civilization are very eager to point out that the life of
hunter-gatherers/Paleolithic people are/were not free from suffering, pain, violence and decides, and therefore aren’t/weren’t as happy as we might think. They say that it’s one thing to go fishing and picking berries as a recreation but a different thing to have to be dependent on it to survive.
In fact they claim that anarcho-primitivists make themselves guilty of just the kind of utopist dreaming that the communists do/did. And this is where they completely miss the point. First of all, I don’t believe in happiness. It’s an illusion. What I do believe in is to be in the moment. And while being in that moment we can experience a lot of things to it fullest like pleasure, fear, anger, joy, love and pain. Sometimes we even experience all these things in the same time.
Honestly now, who is just in one emotion? Aren’t the feelings we experience a mixture of all these sensations we have tried to put a name on? And this is the mistake a lot of musicians do. Instead of expressing what they actually feel, which they don’t usually have a clue of; they try to act like they feel the blues or whatever.
So what they do is that they imitate the symbols of blues that they have been interpreted with. And then they are thinking that they are playing the blues just because they play 12 Bar Blues Chords, pentatonic scales, “blue notes” and B.B. King licks. But they’re not. They couldn’t be farther away from what the blues is really about. There’s more blues in the music of the Baka pygmies than they will ever experience. I just want to cry when I here the music of The Baka Pygmies because it’s so incredibly intense.
But for us it’s all about sounding right and looking right today. Like when I was in music school and these fusion-kids would play their licks and tricks, trying very hard to sound and look just like Jaco Pastorius or Herbie Hancock. After that “education” almost all my joy in music had died but luckily I came in contact with my guitar teacher Andy Fite. The first thing he said to me was to stop practicing, never to be disciplined and only play when I felt like playing.
When I was in music school I was also forced to be in a comp band for these singers. One of them actually asked me one time if I could lower the guitar so that I would look more like a “rock guitarist” because we where playing a “rock” song. I wonder if Jimi Hendrix ever had to put up with that kind of bullshit. And these singers were trying very hard to look sexy because that’s what they saw Christina Aguilera or Britney Spears do on TV.
And then they put down an intense piano player like Lennie Tristano as cold and intellectual, (when in fact, he was all about feeling and intuition), because he wasn’t pleasing the audience with well recognizable symbols (clichés), but instead expressed what he truly felt.
"You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?…" – Lennie Tristano
I like to listen to music where they sing in a language I don’t understand. Right now I’m listening to a song where it sounds like their singing something like: “iyaoeayo” with endless variations and keeping a steady rhythm by clapping their hands. I have no idea what it means but it sounds very joyful and playful. It sounds like they are having a lot of fun.
How can these undeveloped, primitive people living in the Central African rainforest have such a blast? Don’t they know that their lives are poor, nasty, brutish and short? Or maybe that’s a lie. Maybe they are living a good life getting everything they need from the forest, a surrounding they are perfectly adapted to and know from the inside out. That is, if they could only be allowed to live there. But now they find themselves threaten by massive deforestation, which deprives them of the natural resources essential for their survival. Soon it will perhaps be impossible for them to continue with their lifestyle that has work for thousands of years. And we know what’s going to happen then: alcoholism, boredom and just pure misery. Welcome to the civilization I’ll say. Here’s some Prozac. You’re going to need it.
But there’s something else that I recognize in their music but are incapable of expressing in words. I know this feeling. I have experienced it but I can’t put it into words. I know this feeling.
“Music has a central role in the life of the Baka… as soon as a baby is able to clap it is encouraged to participate in all the communal music-making… There is no sense of performer and audience…This communal music-making constantly helps to strengthen the bonds between the individuals in the groups…The sense of hearing is very important when living in the forest…By recognizing the different sounds made by different streams or rivers… and by talking to each other across surprisingly long distances in the forest, they are able to know exactly where they are in the thickest undergrowth. This need to hear… with the absence of background noise of cars, radios and machines … has meant that the Baka have developed an incredibly keen sense of hearing… in the cacophony of modern life in the West we learn to filter out unwanted "noise", the Baka learn to hear all sounds since they are all produced by the forest and are therefore all potentially important to their survival… in their music… they will listen very well to each other and can pick up new melodies very quickly. The Baka believe that the forest… looks after them. It provides all their needs - food, clothing, shelter and tools. Like a good parent it is vigilant in watching over them, but like a human being it has lapses… they believe that if something bad happens to them such as bad hunting or an illness it must be that the forest is sleeping. They then use music and song to make things better again - to wake up the forest and make it happy. If things have been going well they will also sing, to share their happiness with each other and with the forest.” - http://www.baka.co.uk/baka/bakamsc.htm
